This exceptionally ornate brass statue is an example of highly balanced anatomy with delightfully distributed right and left – a strange symmetry with the center unable to contain its line and mincing to the figures.
In Sanskrit, Nata means dance and raja mean Lord. There is an interesting legend behind the conception of Shiva as Nataraja: In a dense forest in South India, there dwelt multitudes of heretical sages.
Mahakali, or the great (‘maha’) Kali, is the omnipotent Roopa (form) of Devi Kali. As a manifestation of the wife of Shiva, the otherwise serene Devi Parvati, the wrath of the Kali Goddess knows no bounds.
An ancient South Indian legend tells of Deva Guru Brihaspati and Lord of Winds Vayu, descending to Earth to build a Bhuloka Vaikuntam, in the Thrissur district of Kerala. It was to be a holy abode for Vishnu in the mortal realm.
Black marble- the lustrous dark stone is undoubtedly one of the most beautiful materials used in the making of idols of Hindu gods and goddesses. Its sturdiness and mysterious shine bring the residents of the heavens to the simple abode of us humans.
Kumara, Karttikeya, Skanda, - the divine ever-youthful, firstborn son of Shiva and Parvati is hailed in the Hindu pantheon as the destroyer of Tarakasur, the head of Indra’s celestial army and the god of war.
Radiating the pure innocence of a child, causing a heavenly emotion of Vaatsalya (affection) to sprout in our hearts, Bala Krishna, the childhood form of Sri Krishna stands here, in this Kadamb wood statue.
Much has been written about Ganesha. As Hindu dharma's most adorable boy-deity, He has inspired countless artisans and painters, and poets across the subcontinent since time immemorial; and how could He not?